COLLECTION NAME:
National Palace English
mediaCollectionId
ChineseArtENG~1~1
National Palace English
Collection
true
Work ID:
M01E00271
work_id
M01E00271
Work ID
false
Title:
Autumn Colors on the Qiao and Hua Mountains.
title_e
Autumn Colors on the Qiao and Hua Mountains.
Title
false
Creation Date:
Yuan Dynasty
date_creation_e
Yuan Dynasty
Creation Date
false
Start Year Date:
A.D.1271
date_creation_start_e
A.D.1271
Start Year Date
false
End Year Date:
A.D.1368
date_creation_end_e
A.D.1368
End Year Date
false
Dynasty:
44 Yuan Dynasty (A.D. 1272~1368)
dynasty
44 Yuan Dynasty (A.D. 1272~1368)
Dynasty
false
Creator:
Zhao Meng-fu
creator_e
Zhao Meng-fu
Creator
false
Creation Place:
China
place_creation_e
China
Creation Place
false
Measurements:
28.4 x 93.2 cm
measurements_e
28.4 x 93.2 cm
Measurements
false
Material:
Ink and color on paper
material_e
Ink and color on paper
Material
false
Form:
Shou-juan (hand scroll)
form_e
Shou-juan (hand scroll)
Form
false
Type:
Painting
type_e
Painting
Type
false
Subject:
Landscape
subject_e
Landscape
Subject
false
Repository:
The National Palace Museum, Taipei
repository_e
The National Palace Museum, Taipei
Repository
false
Description:
Autumn Colors on the Qiao and Hua Mountains has been recognized as a blue-and-green landscape executed in the style of wenren hua, or literati-style painting. Zhao Mengfu uses cyanid pigments mixed with mineral blue-green pigments for the two host mountains. The resulting pale blue differs from the light color of the islet as well as from the many delicate colors of the foliage, in effect generating great chromatic variety. The sloping riverbank and the area near the foreground water are an ochre color; while rooftops, tree trunks and foliage make use of red, yellow, and ochre hues. In his use of these warm colors and the cyanid blue-green, Zhao Mengfu demonstrates his skill in manipulating complementary colors. The result is exceptionally apt. The mineral blue-green conveys a sense of the translucency of a clean autumn coolness that is refreshing to the mind. But with the complementary colors, it also exudes an elegance and untrammeled quality that is both satisfying and harmonious. Autumn Colors on the Qiao and Hua Mountains expresses a kind of neutral tranquility, and not a lonely or desolate bleakness. This quality is one of the conceptions propounded by the literati painting. The ink and colors of the entire painting are harmoniously combined. In depicting these famous mountains in his autumn thoughts, Zhao Mengfu gives the appreciative spectator a complete dream vision of a distant, home village.
description_e
Autumn Colors on the Qiao and Hua Mountains has been recognized as a blue-and-green landscape executed in the style of wenren hua, or literati-style painting. Zhao Mengfu uses cyanid pigments mixed with mineral blue-green pigments for the two host mountains. The resulting pale blue differs from the light color of the islet as well as from the many delicate colors of the foliage, in effect generating great chromatic variety. The sloping riverbank and the area near the foreground water are an ochre color; while rooftops, tree trunks and foliage make use of red, yellow, and ochre hues. In his use of these warm colors and the cyanid blue-green, Zhao Mengfu demonstrates his skill in manipulating complementary colors. The result is exceptionally apt. The mineral blue-green conveys a sense of the translucency of a clean autumn coolness that is refreshing to the mind. But with the complementary colors, it also exudes an elegance and untrammeled quality that is both satisfying and harmonious. Autumn Colors on the Qiao and Hua Mountains expresses a kind of neutral tranquility, and not a lonely or desolate bleakness. This quality is one of the conceptions propounded by the literati painting. The ink and colors of the entire painting are harmoniously combined. In depicting these famous mountains in his autumn thoughts, Zhao Mengfu gives the appreciative spectator a complete dream vision of a distant, home village.
Description
false
ImageV ID:
M01E00271AS013
imagev_id
M01E00271AS013
ImageV ID
false
Image note:
Section 2, Total 9
image_note_e
Section 2, Total 9
Image note
false
Rights:
Lee & Lee Communications
rights
Lee & Lee Communications
Rights
false