COLLECTION NAME:
National Palace English
mediaCollectionId
ChineseArtENG~1~1
National Palace English
Collection
true
Work ID:
M01E00207
work_id
M01E00207
Work ID
false
Title:
Pine, Stream, and Rock
title_e
Pine, Stream, and Rock
Title
false
Creation Date:
Song Dynasty
date_creation_e
Song Dynasty
Creation Date
false
Start Year Date:
A.D.960
date_creation_start_e
A.D.960
Start Year Date
false
End Year Date:
A.D.1279
date_creation_end_e
A.D.1279
End Year Date
false
Dynasty:
39 Song Dynasty (A.D. 960~1279)
dynasty
39 Song Dynasty (A.D. 960~1279)
Dynasty
false
Creator:
Anonymous, Song Dynasty
creator_e
Anonymous, Song Dynasty
Creator
false
Creation Place:
China
place_creation_e
China
Creation Place
false
Measurements:
60.3×96.8?
measurements_e
60.3×96.8?
Measurements
false
Material:
Ink and color on silk
material_e
Ink and color on silk
Material
false
Form:
Ce-ye (album leaf)
form_e
Ce-ye (album leaf)
Form
false
Type:
Painting
type_e
Painting
Type
false
Subject:
Landscape
subject_e
Landscape
Subject
false
Repository:
The National Palace Museum, Taipei
repository_e
The National Palace Museum, Taipei
Repository
false
Description:
This painting depicts pines and an old tree. Not only are the numerous knots emphasized, but the twisting, contorted structure of the branches create visual echoes. While the painter has faithfully drawn the formal appearance of his subject, he has also made apparent the elegance of the brushwork. But of the two, he emphasizes on the latter. In the foliage, we can see a lot of ink dabs, or "dian" which are in excess of the branches and leaves. The artist seems to convey the sense that the resonance of the ink is not enough. His work suggests a "chan ink method" in which the brush has been placed on the string of a bow and let go, causing ink to spray across the face of the painting and creating an even greater variety of dots and lines.
description_e
This painting depicts pines and an old tree. Not only are the numerous knots emphasized, but the twisting, contorted structure of the branches create visual echoes. While the painter has faithfully drawn the formal appearance of his subject, he has also made apparent the elegance of the brushwork. But of the two, he emphasizes on the latter. In the foliage, we can see a lot of ink dabs, or "dian" which are in excess of the branches and leaves. The artist seems to convey the sense that the resonance of the ink is not enough. His work suggests a "chan ink method" in which the brush has been placed on the string of a bow and let go, causing ink to spray across the face of the painting and creating an even greater variety of dots and lines.
Description
false
ImageV ID:
M01E00207AS001
imagev_id
M01E00207AS001
ImageV ID
false
Rights:
Lee & Lee Communications
rights
Lee & Lee Communications
Rights
false