COLLECTION NAME:
National Palace English
mediaCollectionId
ChineseArtENG~1~1
National Palace English
Collection
true
Work ID:
M01E00247
work_id
M01E00247
Work ID
false
Title:
Chanting in Idle Time
title_e
Chanting in Idle Time
Title
false
Creation Date:
Ming Dynasty
date_creation_e
Ming Dynasty
Creation Date
false
Start Year Date:
A.D.1368
date_creation_start_e
A.D.1368
Start Year Date
false
End Year Date:
A.D.1644
date_creation_end_e
A.D.1644
End Year Date
false
Dynasty:
45 Ming Dynasty (A.D. 1368~1644)
dynasty
45 Ming Dynasty (A.D. 1368~1644)
Dynasty
false
Creator:
Chen Hong-shou
creator_e
Chen Hong-shou
Creator
false
Creation Place:
China
place_creation_e
China
Creation Place
false
Measurements:
79.3 x 31.7 cm
measurements_e
79.3 x 31.7 cm
Measurements
false
Material:
Ink on paper
material_e
Ink on paper
Material
false
Form:
Li-zhou (hanging scroll)
form_e
Li-zhou (hanging scroll)
Form
false
Type:
Painting
type_e
Painting
Type
false
Subject:
Figure
subject_e
Figure
Subject
false
Repository:
The National Palace Museum, Taipei
repository_e
The National Palace Museum, Taipei
Repository
false
Description:
In the baimiao [ink outline] technique, Chen has depicted a scholar wearing a flower in his cap. With his left hand, he grasps a walking stick, and with his right he appears in the gesture of tapping lightly. He has a free and easy mood, like the character of a lofty, easy-going poet. There is a seven-character line poem inscribed, "Why do we always write poems when going into the mountains?/Heaven gives birth to a type like myself, the eccentric mountain dweller/At times I also teach the mountain children to chant/Do you not think that the children are not as good as the courtesans?" In this painting, the flower in the scholar's cap seems to be a type of chrysanthemum. There is a good chance that the painting depicts the famous official Tao Yuanming (365-427) of the Eastern Jin Dynasty. Chen Hongshou liked to depict the life of this recluse scholar, as evidenced in his late works, Returning Home (1650) and Sixteen Scenes of Living in Seclusion (1651).
description_e
In the baimiao [ink outline] technique, Chen has depicted a scholar wearing a flower in his cap. With his left hand, he grasps a walking stick, and with his right he appears in the gesture of tapping lightly. He has a free and easy mood, like the character of a lofty, easy-going poet. There is a seven-character line poem inscribed, "Why do we always write poems when going into the mountains?/Heaven gives birth to a type like myself, the eccentric mountain dweller/At times I also teach the mountain children to chant/Do you not think that the children are not as good as the courtesans?" In this painting, the flower in the scholar's cap seems to be a type of chrysanthemum. There is a good chance that the painting depicts the famous official Tao Yuanming (365-427) of the Eastern Jin Dynasty. Chen Hongshou liked to depict the life of this recluse scholar, as evidenced in his late works, Returning Home (1650) and Sixteen Scenes of Living in Seclusion (1651).
Description
false
ImageV ID:
M01E00247AS001
imagev_id
M01E00247AS001
ImageV ID
false
Rights:
Lee & Lee Communications
rights
Lee & Lee Communications
Rights
false